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Intents and Purposes

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W musicology sociology cognitive science and genre theory Lewis opens up new uestions about agency in performance as well as new ways of considering the historical relationships between improvisational practices with roots in different cultural rameworks By showing how jazz can be both art idea and ACTION ALL AT THE SAME TIME all at the
"same time offers "
time offers new way of seeing any improvised musical performance in a new culturally and aesthetically rich conte. ,

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Foreground the distinctive practices and AESTHETICS OF JAZZ PUSHING ASIDE THE ASSUMPTION THAT of jazz Pushing Aside Assumption That Composition aside assumption that composition are different or even opposed musical practices Lewis’s philosophically informed approach revisits key topics in musical ontology such as how to define the triangle of composer performer listener and the status of live performances in relation to scores and recordings Drawing on critical race theory eminist theory ne. ,

How do we define improvised music What is the relationship of highly improvised performances to the work
"they are performances "
are performances How do we
What is the relationship of highly improvised performances to the work they are performances of How do we what are the important parts of an improvised musical work In Intents and Purposes Eric Lewis uses a series of case studies to challenge assumptions about what defines a musical work and musical performance seeking to go beyond philosophical and aesthetic templates rom Western classical music to. .