(Encounters on Contested Lands) PDF KINDLE ✓ Julie Burelle

Winner 2019 John W Frick Award Winner 2020 Ann Saddlemyer Award Finalist ATHE Outstanding Book Award Award Winner 2020 Ann Saddlemyer Award Finalist ATHE Outstanding Book 2020 Mention Spéciale Société uébécoise d'études théâtrale In Encounters on Contested Lands Julie Burelle employs a performance studies lens to examine how nstances of Indigenous self representation Savas Londonas in uébec challenge the national anddentity discourses of the French uébécois de souche the French speaking descendants of white European settlers who understand themselves to be settlers no but rather colonized and rightfully belonging to the territory of. Is de souche that there are alternative ways to Conociendo A T A Kelly imagine uébec's future and rememberts "Past  The Performances Insist On Uébec's Contested Nature And Reframe "The performances The Spirit Man insist on uébec's contested nature and reframe as animated by competing sovereignties Together they reveal how the colonial present and tense colonial present operaten conjunction as work to magine an alternative future on decolonization Encounters on Contested engages with theater and performance studies while making uniue and needed contributions to uébec and Canadian studies as well as to Indigenous and settler colonial studi. ,


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Encounters on Contested LandsUébec  Analyzing a wide variety of performances Burelle brings together the "theater of Alexis Martin and the film L'Empreinte which repositions the "of Alexis Martin and the film L'Empreinte which repositions the uébécois de souche as métis protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Sioui Durand Obomsawin and the Wapikoni Mobile project; and the visual work of Nadia Myre These performances Burelle argues received definitions of sovereignty and articulate new ones while proposing to the province and specifically to the French uébéco.

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